It may be a building where the story begins, a field, a church, a familiar locale of a city, a night club, a sewer if that's where your movie takes place -- I know someone who talked about making a movie called TUNNEL RATS, and he wasn't talking about rodents -- whatever the location, a long shot is the best way of establishing it. It is usually photographed with a wide angle lens approximately a 25mm lens in 35mm photography and a 10mm lens in 16mm photography. The main thing is what the shot encompasses. If it encompasses a general setting that gives the opening shot of the film as much information as can be clearly presented with one angle, then it's an establishing shot and can be shot with any lens.
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For more, click here. Glenn Close , another Hollywood veteran, is no stranger to the awards circuit. Close and Elliott discussed their respective films, their love of the Western and why even the smallest roles can pack a wallop in the right hands. There was this quote from I think Stanislavsky or one of those guys about how there are no small parts, only small actors. It certainly was an integral part and an important part, but not a big part.
This is the first in a series of four lessons on close-up and macro photography by Andrew S Gibson, author of Up Close: All it takes is for someone to guide you through the accessories and methods that photographers use to get up close to their subject. First a couple of definitions Macro photography:
The name refers to every shot that focuses on a person or a object by framing it closer than it is usual. The film presents one of the earliest twist endings in cinema history, as well as original devices such as flashbacks and an unreliable narrator. Visually, Caligari is an epitome of Expressionism and is full of memorable, dark characters. His face must have terrified movie-goers of the time, and after nearly a century it has not lost its effect.